Thursday, March 5, 2015

The Monomyth Behind the Harem RomCom Genre



Hey everyone,
Today, I‘ll write about something other than the weekly anime review. I decided to take a step back to look at an entire genre as a whole. Picking which genre proved to be a difficult challenge; I thought long and hard about which genre until I had narrowed it down to two choices, the classic favorite, action, or the emotional roller-coaster, drama. I was about to make my decision when all of the sudden, I started to hear another genre call for my attention, Harem RomCom (short for romantic comedy). For those of you that are unfamiliar with this genre, it centers around one guy who is surrounded by a bunch of girls who are all candidates to become the guy’s girlfriend. I chose this genre because of its overall high production values and excellent plot. But today I will focus on its plot and how it relates to one of the greatest literary discoveries of all time, Joseph Campbell’s monomyth. The monomyth is a plot structure that can be found in many great stories around the world and is sometimes used as a guideline for successful movies such as Star Wars. The Monomyth takes the form of several stages that the hero goes through in his journey, but I’ll only be looking at the call to adventure and supernatural aid. As seen through these stages, the Harem RomCom genre of anime has ascended beyond modern story telling by creating conventions that allow the authors to skip character back story and force comedy and plot anywhere the author wants.



The Call to Adventure

The call to adventure is the first stage in the monomyth and is defined as when the hero is called out of his world and into a new mysterious world. So, in the Harem RomCom genre this stage is when the hero is first introduced to the heroines. Unfortunately, in harems introducing the several heroines would take way too many episodes dedicated to back story, so, out of necessity, the heroines are usually spontaneously introduced into the main character’s (MC’s) life. This spontaneous introduction of characters is an ingenious move by the directors since it eliminates the need to give heroines any back story and lets the anime focus of what’s important, the plot.
For example, in Ore no Nounai Sentakushi ga, Gakuen LoveComedy wo Zenryoku de Jama Shiteiru (NouCome) the main heroine, Chocolat, literally falls from the sky and lands on the MC. No context and no backstory. This isn’t an isolated case though, several directors use this convention to make room for more plot. In Sora no Otoshimono the main heroine, Ikaros, also falls from the sky –nearly killing the MC.  And, in Rokujoumano Shinryakusha!?,  The MC is sitting in his small apartment when all of the sudden a mahou shoujo(magical girl) breaks through his window, a miko (shrine maiden) digs a hole into his room from underground, his room is haunted by a ghost, and not one but, two aliens beam into his room.  The author introduces five new characters in less than five minutes, saving the author countless minutes of trying to introduce each one individually.

Supernatural Aid

Supernatural Aid is defined as a stage where the hero is given an item or power that helps him in his journey. Ironically, in Harem RomComs the MC’s supernatural aid often comes in the form of a curse that the MC is forced to deal with. Again to reduce back story the hero is one day cursed. The curse forms the basis for the comedy and plot development in the series. Wanting to be able to throw out any joke at any time, the authors came up with another convention of the Harem RomCom genre, the open ended curse.  Authors of the Harem RomCon drama use the MC’s curse to force stagnant plot forward and introduce action into uneventful scenes.

In NouCome, the MC’s curse is that at random times the MC is given a couple of options and is forced to pick one and follow through with his choice or else her gets a progressively worse headache.One time the MC and heroine are talking casually after class when the MC’s curse activates and he is forced to say to the heroine, “Hey, let me touch your boobs” or alternatively “Hey, touch my boobs.” By using the curse, the author turns a boring classroom encounter into a tense moment of anticipation and dread.


Similarly, in Kanojo ga Flag wo Oraretara the MC has the ability to see flags above the heroines’ heads that tell him what they are feeling or what is going to happen. Similar to NouCome, the author uses this curse to force the MC into action. In one scene one of the heroines walks into a rundown building and the MC sees a death flag on her head indicating that she will die if he doesn’t interfere so, he rushes towards her and tackles her to the ground. The author turned the simple event of walking into a building into a dire life-or-death situation that forces the MC into action and pushes the plot forward.

Conclusion

Authors of Harem RomComs have a firm grasp on the desires of their audience who are only interested in action and comedy. So, they skip the back story through spontaneous character introductions and they developed a method to inject action where there is none. When it comes to catering to the audience other genres have much to learn.

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